X-Men von Stan Lee, Jack Kirby, Roy Thomas

Kategorie: Bücher
Seiten / Format: 432 S
Erscheinungsjahr: 2023
Verlag: Penguin Random HousePenguin Classics
Sprache: Englisch
ISBN: 9780143135777

A groundbreaking example of comics representation in literature.<br>Publishers Weekly<br><br>Penguin provides introductory essays; superb analyses by the series editor, Ben Saunders; and extensive bibliographies.<br>Michael Dirda,The Washington Post<br><br>Stories become classics when generations of readers sort through them, talk about them, imitate them, and recommend them. In this case, baby boomers read them when they débuted, Gen X-ers grew up with their sequels, and millennials encountered them through Marvel movies. Each generation of fans initially fanboys, increasingly fangirls, and these days nonbinary fans, too found new ways not just to read the comics but to use them. That s how canons form. Amateurs andprofessionals, over decades, come to something like consensus about which books matter and why or else they love to argue about it, and we get to follow the arguments. Canons rise and fall, gain works and lose others, when one generation of people with the power to publish, teach, and edit divergesfrom the one before ... A top-flight comic by Kirby or his successor on Captain America, Jim Steranko barely needed words. You could follow the story just by watching the characters act and react. Thankfully, Penguin volumes do justice to these images. They reproduce sixties comics in bright, flat, colorful inks on thick white paper unlike the dot-based process used on old newsprint, but perhaps truer to their bold, thrill-chasing spirit.<br>Stephanie Burt,The New Yorker<br><br>As before, all three of these volumes re-present Professor Ben Saunders learned general series intro which does an excellent job of succinctly explaining the rise of Marvel Comics and the Marvel Method.<br>Forces of GeekThe Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel s transformative and timeless influence on an entire genre of fantasy<br> <br>CollectsX-Men#1,3,4,5,7,8,14,15,16,38,41,42,44,45, and46.It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.<br> <br>The seeds of a pop-cultural phenomenon were sown with the launch of the first X-Men comic in 1963, at the height of the Marvel Revolution, under the creative team of Stan Lee and Jack Kirby. The title was bookended by some of the best Super Hero comics of that era; the first issue established a creative formula that continues to inspire contemporary creators, while the final issues remain acclaimed for the groundbreaking artwork of Neal Adams. This collection gathers several key tales from the original run of the classic X-Men series.<br> <br>A foreword by Rainbow Rowell and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of the X-Men and classic Marvel comics.1CNWriter-editorStan Lee(1922 2018) and artist Jack Kirby made comic book history in 1961 withThe Fantastic Four#1. The suc­cess of its new style inspired Lee and his many collaborators to de­velop a number of Super Heroes, including, with Jack Kirby, the Incredible Hulk and the X Men; with Steve Ditko, the Amazing Spider-Man and Doctor Strange; and with Bill Everett, Daredevil. Lee oversaw the adventures of these creations for more than a decade before handing over the editorial reins at Marvel to others and focusing on developing Marvel s properties in other media. For the remainder of his long life, he continued to serve as a creative figure­head at Marvel and as an ambassador for the comics medium as a whole. In his final years, Lee s signature cameo appearances in Marvel s films established him as one of the world s most famous faces.<br> <br>Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York s Lower East Side,Jack Kirbycame of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co created the patriotic hero Captain America with Joe Simon in 1940. Cap s exploits on the comic book page entertained millions of American readers at home and inspired US troops fight­ing the enemy abroad. Kirby s partnership with Simon continued throughout the 1940s and early 50s; together, they produced com­ics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co created the foundational text of the modern Marvel Universe:The Fantastic Four. Over the next de­cade, Kirby and Lee would introduce a mind- boggling array of new characters including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X Men. Kirby s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his intercon­nected Fourth World series, as well as freestanding titles such asThe Demon. He returned to Marvel in 1975, writing and illustrat­ingThe Black PantherandCaptain America, and introducing series such asDevil Dinosaur, andThe Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and film­makers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.<br> <br>Roy Thomasjoined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time:Amazing Spider-Man,Avengers,Daredevil,Doctor Strange,Sub-Mariner,Thor,X-Menand more. He wrote the first 10 years of Marvel sConan the BarbarianandSavage Sword of Conan; and launched such series asDefenders,Iron Fist,InvadersandWarlock. At DC, he developedAll-Star Squadron,Infinity Inc.and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor ofAlter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery filmsFire and IceandConan the Destroyer.<br> <br>Werner Rothmay not be remembered as widely as Marvel Age giants like Kirby, Ditko or Buscema, but that cannot change the fact that he was a key contributor during the early years when Marvel s Silver Age legacy was still an unknown quantity. In fact, unlike those other artists, Werner Roth was an active participant in the earliest years of Marvel s

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